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Today's Stichomancy for Harry Houdini

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from When a Man Marries by Mary Roberts Rinehart:

the delicacy and feeling of a football center rush kicking a goal. Mr. Harbison was standing near the fire, a little away from the others, and he was all that Anne had said and more in appearance. He was tall--not too tall, and very straight. And after one got past the oddity of his face being bronze-colored above his white collar, and of his brown hair being sun-bleached on top until it was almost yellow, one realized that he was very handsome. He had what one might call a resolute nose and chin, and a pleasant, rather humorous, mouth. And he had blue eyes that were, at that moment, wandering with interest over the lot of us. Somebody shouted his name to me above the Tristan and Isolde

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

Jimmy had started on his comfortable journey. Early morning on the frost-covered grass, the frozen roads, the snap and sparkle of the Donau. Harmony had taken her problem there, in the early hour before Monia would summon her to labor--took her problem and found her answer.

The great cemetery was still and deserted. Harmony, none too warmly clad, walked briskly, a bunch of flowers in oiled paper against the cold. Already the air carried a hint of spring; there was a feeling of resurrection and promise. The dead earth felt alive under-foot.

Harmony knelt by the grave and said the little prayer the child

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Treasure Island by Robert Louis Stevenson:


Treasure Island
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hidden Masterpiece by Honore de Balzac:

half to himself, half to his neophyte:--

"Paf! paf! paf! that is how we butter it on, young man. Ah! my little pats, you are right; warm up that icy tone. Come, come!--pon, pon, pon,--" he continued, touching up the spots where he had complained of a lack of life, hiding under layers of color the conflicting methods, and regaining the unity of tone essential to an ardent Egyptian.

"Now see, my little friend, it is only the last touches of the brush that count for anything. Porbus put on a hundred; I have only put on one or two. Nobody will thank us for what is underneath, remember that!"

At last the demon paused; the old man turned to Porbus and Poussin,