Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for John Wayne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Scaramouche by Rafael Sabatini:

players of talent to the company; he would write three or four fresh scenarios, and these should be tested and perfected until the troupe was in possession of at least half a dozen plays upon which they could depend; they would lay out a portion of their profits on better dresses and better scenery, and finally in a couple of months' time, if all went well, they should be ready to make their real bid for fortune at Nantes. It was quite true that distinction was usually demanded of the companies appearing at the Feydau, but on the other hand Nantes had not seen a troupe of improvisers for a generation and longer. They would be supplying a novelty to which all Nantes should flock provided that the work were really well done,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Voyage Out by Virginia Woolf:

It is so interesting to find that a man of his experience is a strong Protectionist."

She would have liked to discuss politics, which interested her more than personalities, but Mrs. Elliot would only talk about the Empire in a less abstract form.

"I hear there are dreadful accounts from England about the rats," she said. "A sister-in-law, who lives at Norwich, tells me it has been quite unsafe to order poultry. The plague--you see. It attacks the rats, and through them other creatures."

"And the local authorities are not taking proper steps?" asked Mrs. Thornbury.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To the Lighthouse by Virginia Woolf:

shape is distorted, and one blunders, now with the sun in one's eyes, now with a dark shadow, he sought an image to cool and detach and round off his feeling in a concrete shape. Suppose then that as a child sitting helpless in a perambulator, or on some one's knee, he had seen a waggon crush ignorantly and innocently, some one's foot? Suppose he had seen the foot first, in the grass, smooth, and whole; then the wheel; and the same foot, purple, crushed. But the wheel was innocent. So now, when his father came striding down the passage knocking them up early in the morning to go to the Lighthouse down it came over his foot, over Cam's foot, over anybody's foot. One sat and watched it.

But whose foot was he thinking of, and in what garden did all this


To the Lighthouse
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Age of Innocence by Edith Wharton:

her plum-coloured satin with pale blue side-panels, and blue ostrich plumes in a small satin bonnet, met with general approval; but before she had settled herself with a stately rustle in the pew opposite Mrs. Archer's the spectators were craning their necks to see who was coming after her. Wild rumours had been abroad the day before to the effect that Mrs. Manson Mingott, in spite of her physical disabilities, had resolved on being present at the ceremony; and the idea was so much in keeping with her sporting character that bets ran high at the clubs as to her being able to walk up the nave