|The first excerpt represents the past or something you must release, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:
and she was surprised, for she had not supposed that any one
thought her an object of pity. He added: "Call for me when you
need me," and she smiled a little, but was glad afterward, and
thought often of the meeting.
She confessed to having seen him three times afterward: not more.
How or where she would not say--one had the impression that she
feared to implicate some one. Their meetings had been rare and
brief; and at the last he had told her that he was starting the
next day for a foreign country, on a mission which was not
without peril and might keep him for many months absent. He
asked her for a remembrance, and she had none to give him but the
|The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Rig Veda:
Of sacrifice the Kanvas shine.
9 Indra, may we obtain that wealth in horses and in herds of
And prayer that may be noticed first.
10 I from my Father have received deep knowledge of the Holy
I was born like unto the Sun.
11 After the lore of ancient time I make, like Kanva, beauteous
The Rig Veda
|The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower:
So whan thei weren bothe al one,
As he which yhen hadde none
To se reson, his Moder kiste;
And sche also, that nothing wiste
Bot that which unto lust belongeth,
To ben hire love him underfongeth.
Thus was he blind, and sche unwys:
Bot natheles this cause it is,
Why Cupide is the god of love,
For he his moder dorste love. 1420
And sche, which thoghte hire lustes fonde,