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Today's Stichomancy for John Wayne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Last War: A World Set Free by H. G. Wells:

distinguished from rivalry, has almost abruptly ceased to be the usual occupation, and has become at most a subdued and hidden and discredited thing. Contentious professions cease to be an honourable employment for men. The peace between nations is also a peace between individuals. We live in a world that comes of age. Man the warrior, man the lawyer, and all the bickering aspects of life, pass into obscurity; the grave dreamers, man the curious learner, and man the creative artist, come forward to replace these barbaric aspects of existence by a less ignoble adventure.

There is no natural life of man. He is, and always has been, a


The Last War: A World Set Free
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Magic of Oz by L. Frank Baum:

we will conquer them with ease."

"That seems like a good idea," replied the boy, approvingly. "And in such a case, we need not bother with the other beasts of the forest."

"No; you have frightened the beasts, and they would no longer consent to assist us in conquering Oz. But those monkeys are foolish creatures, and once they are transformed to Giants, they will do just as we say and obey our commands. Can you transform them all at once?"

"No, I must take one at a time," said Kiki. "But the fifty transformations can be made in an hour or so. Stay here, Ruggedo, and I will change the first monkey--that one at the left, on the end of the limb--into a Giant with a sword."


The Magic of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Reminiscences of Tolstoy by Leo Tolstoy:

up to my father and kiss him or to stroke his hand. I was partly prevented also from that by the fact that I always looked up to him with awe, and his spiritual power, his greatness, prevented me from seeing in him the mere man--the man who was so plaintive and weary at times, the feeble old man who so much needed warmth and rest. The only person who could give him that warmth was Masha. She would go up to him, stroke his hand, caress him, and say something affectionate, and you could see that he liked it, was happy, and even responded in kind. It was as if he became a different man with her. Why was it that Masha was able to do this, while no one else even dared to try? If any other of us had done

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

mealies and rice to the next camp. He had been sent out to act as scout along a low range of hills, and had lost his way. Since eight in the morning he had wandered among long grasses, and ironstone kopjes, and stunted bush, and had come upon no sign of human habitation, but the remains of a burnt kraal, and a down-trampled and now uncultivated mealie field, where a month before the Chartered Company's forces had destroyed a native settlement.

Three times in the day it had appeared to him that he had returned to the very spot from which he had started; nor was it his wish to travel very far, for he knew his comrades would come back to look for him, to the neighbourhood where he had last been seen, when it was found at the evening