Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for John Wilkes Booth

The first excerpt represents the past or something you must release, and is drawn from The Human Drift by Jack London:

Disease, from time to time, will ease the pressure. Diseases are parasites, and it must not be forgotten that just as there are drifts in the world of man, so are there drifts in the world of micro-organisms--hunger-quests for food. Little is known of the micro-organic world, but that little is appalling; and no census of it will ever be taken, for there is the true, literal "abysmal fecundity." Multitudinous as man is, all his totality of individuals is as nothing in comparison with the inconceivable vastness of numbers of the micro-organisms. In your body, or in mine, right now, are swarming more individual entities than there are human beings in the world to-day. It is to us an invisible

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Salammbo by Gustave Flaubert:

before; he would feel himself more forsaken, more empty, more alone.

Strange words escaped him sometimes, which passed before Salammbo like broad lightnings illuminating the abysses. This would be at night on the terrace when, both alone, they gazed upon the stars, and Carthage spread below under their feet, with the gulf and the open sea dimly lost in the colour of the darkness.

He would set forth to her the theory of the souls that descend upon the earth, following the same route as the sun through the signs of the zodiac. With outstretched arm he showed the gate of human generation in the Ram, and that of the return to the gods in Capricorn; and Salammbo strove to see them, for she took these


Salammbo
The third excerpt represents the future or something you must embrace, and is drawn from Modeste Mignon by Honore de Balzac:

you; but had you, perchance, fallen upon a hypocrite, a scoffer, one whose books may be melancholy but whose life is a perpetual carnival, you would have found as the result of your generous imprudence an evil-minded man, the frequenter of green-rooms, perhaps a hero of some gay resort. In the bower of clematis where you dream of poets, can you smell the odor of the cigar which drives all poetry from the manuscript?

But let us look still further. How could the dreamy, solitary life you lead, doubtless by the sea-shore, interest a poet, whose mission it is to imagine all, and to paint all? What reality can equal imagination? The young girls of the poets are so ideal that


Modeste Mignon