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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

and devoured it ravenously. It instilled new life in the man.

"What is cos-ata-lu?" insisted Bradley again.

An-Tak tried to explain. His narrative was often broken by lapses of concentration during which he reverted to his plaintive mumbling for food and recurrence to the statement that there was a way out; but by firmness and patience the Englishman drew out piece-meal a more or less lucid exposition of the remarkable scheme of evolution that rules in Caspak. In it he found explanations of the hitherto inexplicable. He discovered why he had seen no babes or children among the Caspakian tribes with which he had come in contact; why each more northerly tribe

Out of Time's Abyss
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Blue Flower by Henry van Dyke:

bowed, and let it fall.

"You will excuse me, Dorothy, I am sure. I feel the need of exercise. Absolutely I must go; good-by--until the evening."

The hours of that day passed heavily for all of us. There was a sense of disaster in the air. Something irretrievable had fallen from our circle. But no one dared to name it. Night closed in upon the house with a changing sky. All the stars were hidden. The wind whimpered and then shouted. The rain swept down in spiteful volleys, deepening at last into a fierce, steady discharge. Nine o'clock, ten o'clock passed,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reef by Edith Wharton:

"It's not easy to say here, at any rate. And indoors I sha'n't know where to say it." He glanced about him in the rain. "Let's walk over to the spring-house for a minute."

To the right of the drive, under a clump of trees, a little stucco pavilion crowned by a balustrade rose on arches of mouldering brick over a flight of steps that led down to a spring. Other steps curved up to a door above. Darrow mounted these, and opening the door entered a small circular room hung with loosened strips of painted paper whereon spectrally faded Mandarins executed elongated gestures. Some black and gold chairs with straw seats and an unsteady

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:


I am in duty bound to add, that while a great majority of such men care nothing for the happi- ness of the women with whom they live, nor for the children of whom they are the fathers, there are those to be found, even in that heterogeneous mass of licentious monsters, who are true to their pledges. But as the woman and her children are legally the property of the man, who stands in the anomalous relation to them of husband and father, as well as master, they are liable to be seized and

Running a Thousand Miles for Freedom