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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Lady Chatterley's Lover by D. H. Lawrence: the visceral centre, here and there across the floor, and then she
could break loose and ignore 'the creature'. He had been merely made
use of. Poor Connie was rather unhappy. She wouldn't jazz, because she
simply couldn't plaster her stomach against some 'creature's' stomach.
She hated the conglomerate mass of nearly nude flesh on the Lido: there
was hardly enough water to wet them all. She disliked Sir Alexander and
Lady Cooper. She did not want Michaelis or anybody else trailing her.
The happiest times were when she got Hilda to go with her away across
the lagoon, far across to some lonely shingle-bank, where they could
bathe quite alone, the gondola remaining on the inner side of the reef.
Then Giovanni got another gondolier to help him, because it was a long
 Lady Chatterley's Lover |