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Today's Stichomancy for Phil Mickelson

The first excerpt represents the past or something you must release, and is drawn from Massimilla Doni by Honore de Balzac:

in this prayer; he will do as good work, no doubt, but never better: the sublime is always equal to itself; but this hymn is one of the things that will always be sublime. The only match for such a conception might be found in the psalms of the great Marcello, a noble Venetian, who was to music what Giotto was to painting. The majesty of the phrase, unfolding itself with episodes of inexhaustible melody, is comparable with the finest things ever invented by religious writers.

"How simple is the structure! Moses opens the attack in G minor, ending in a cadenza in B flat which allows the chorus to come in, /pianissimo/ at first, in B flat, returning by modulations to G minor. This splendid treatment of the voices, recurring three times, ends in

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Life of the Spider by J. Henri Fabre:


I have described elsewhere the prowess of the Copris {25} watching over cells that are not her handiwork and do not contain her offspring. With a zeal which even the additional labour laid upon her does not easily weary, she removes the mildew from the alien dung-balls, which far exceed the regular nests in number; she gently scrapes and polishes and repairs them; she listens to them attentively and enquires by ear into each nursling's progress. Her real collection could not receive greater care. Her own family or another's: it is all one to her.

The Lycosa is equally indifferent. I take a hair-pencil and sweep

The Life of the Spider
The third excerpt represents the future or something you must embrace, and is drawn from My Aunt Margaret's Mirror by Walter Scott:

upon my sleeve, "The chapel has been long considered as common ground, my dear, and used for a pinfold, and what objection can we have to the man for employing what is his own to his own profit? Besides, I did speak to him, and he very readily and civilly promised that if he found bones or monuments, they should be carefully respected and reinstated; and what more could I ask? So, the first stone they found bore the name of Margaret Bothwell, 1585, and I have caused it to be laid carefully aside, as I think it betokens death, and having served my namesake two hundred years, it has just been cast up in time to do me the same good turn. My house has been long put in order, as far as the