Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Robert Oppenheimer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tao Teh King by Lao-tze:

growth, are soft and brittle; at their death, dry and withered.

2. Thus it is that firmness and strength are the concomitants of death; softness and weakness, the concomitants of life.

3. Hence he who (relies on) the strength of his forces does not conquer; and a tree which is strong will fill the out-stretched arms, (and thereby invites the feller.)

4. Therefore the place of what is firm and strong is below, and that of what is soft and weak is above.

77. 1. May not the Way (or Tao) of Heaven be compared to the (method of) bending a bow? The (part of the bow) which was high is brought low, and what was low is raised up. (So Heaven) diminishes where

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Commission in Lunacy by Honore de Balzac:

fashion. Rastignac was at her left hand on a low chair, in which he looked settled like an Italian lady's "cousin." A third person was standing by the corner of the chimney-piece. As the shrewd doctor had suspected, the Marquise was a woman of a parched and wiry constitution. But for her regimen her complexion must have taken the ruddy tone that is produced by constant heat; but she added to the effect of her acquired pallor by the strong colors of the stuffs she hung her rooms with, or in which she dressed. Reddish-brown, marone, bistre with a golden light in it, suited her to perfection. Her boudoir, copied from that of a famous lady then at the height of fashion in London, was in tan-colored velvet; but she had added

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mad King by Edgar Rice Burroughs:

the steps into the courtyard. Looking neither to right nor to left, and with a convincing air of self-confidence and im- portant business, he walked directly to the big, gray ma- chine that stood beside the little shed at the end of the courtyard.

To crank it and leap to the driver's seat required but a moment. The big car moved smoothly forward. A turn of the steering wheel brought it around headed toward the wide gates. Barney shifted to second speed, stepped on the accelerator and the cut-out simultaneously, and with a noise like the rattle of a machine gun, shot out of the court-


The Mad King
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]:

away from that little camp, particularly as we have not had so much as a taste of the delicious wax they've been making.

CHAPTER III. A SET OF SETTERS

It was a great bird-year at Oakdene. Never had there been so many. The same dear old Phoebe-birds were back, building under the eaves of both the front and back piazzas. The robins, as usual, were everywhere. The Maryland yellow-throats were nesting in great numbers in the young growth of woods on the hill of the ravine, and ringing out their hammer-like note in the merriest manner; a note that no one understood until Dr. Van Dyke told us, in his beautiful little poem, that it is "witchery, witchery, witchery," and now we wonder that we could have been so stupid as not to have discovered it was