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Today's Stichomancy for Salvador Dali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of the Golden Bullet by Grace Isabel Colbron and Augusta Groner:

wearing a handsome fur overcoat.

It was impossible to recognise his face at this distance, for the snowflakes were whirling thickly in the air. But Muller was not particularly anxious to recognise the stranger, as he had his head full of more important thoughts.

When Johann had given his new address and remarked that he would call for his coat soon, the men parted, and Muller returned to the police station.

The next day the principal newspaper of the town printed the following notice:


The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems by Oscar Wilde:

And the damned grotesques made arabesques, Like the wind upon the sand!

With the pirouettes of marionettes, They tripped on pointed tread: But with flutes of Fear they filled the ear, As their grisly masque they led, And loud they sang, and long they sang, For they sang to wake the dead.

'Oho!' they cried, 'The world is wide, But fettered limbs go lame! And once, or twice, to throw the dice

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Tramp Abroad by Mark Twain:

and into the next, until the topic of skeletons raised up Nicodemus Dodge out of the deep grave in my memory where he had lain buried and forgotten for twenty-five years. When I was a boy in a printing-office in Missouri, a loose-jointed, long-legged, tow-headed, jeans-clad countrified cub of about sixteen lounged in one day, and without removing his hands from the depths of his trousers pockets or taking off his faded ruin of a slouch hat, whose broken rim hung limp and ragged about his eyes and ears like a bug-eaten cabbage leaf, stared indifferently around, then leaned his hip

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Within the Tides by Joseph Conrad:

the idea that she had died for him in a sense. But he could not have gone very far. What stopped him was the thought of the boy, Laughing Anne's child, that (Davidson remembered her very words) would not have a dog's chance.

"This life the woman had left behind her appeared to Davidson's conscience in the light of a sacred trust. He assumed an erect attitude and, quaking inwardly still, turned about and walked towards the house.

"For all his tremors he was very determined; but that smashed skull had affected his imagination, and he felt very defenceless in the darkness, in which he seemed to hear faintly now here, now there,

Within the Tides