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Today's Stichomancy for Salvador Dali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Macbeth by William Shakespeare:

In Riddles, and Affaires of death; And I the Mistris of your Charmes, The close contriuer of all harmes, Was neuer call'd to beare my part, Or shew the glory of our Art? And which is worse, all you haue done Hath bene but for a wayward Sonne, Spightfull, and wrathfull, who (as others do) Loues for his owne ends, not for you. But make amends now: Get you gon, And at the pit of Acheron

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

that this is quite considerable. Besides this, we have the seals, and we know several other things. I believe that we can save this lady, of if it be too late, we can avenge her at least."

The commissioner looked at Muller in surprise. "We are in a city of more than a million inhabitants," he said, almost timidly.

"I have hunted criminals in two hemispheres, and I have found them," said Muller simply. The young commissioner smiled and held out his hand. "Ah, yes, Muller - I keep forgetting the great things you have done. You are so quiet about it."

"What I have done is only what any one could do who has that particular faculty. I do only what is in human power to do, and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Juana by Honore de Balzac:

Diard found peace and respect; he reigned there. She felt herself strong to accept the trying task of making him happy,--he, a man dissatisfied with himself. Her energy increased with the difficulties of life; she had all the secret heroism necessary to her position; religion inspired her with those desires which support the angel appointed to protect a Christian soul--occult poesy, allegorical image of our two natures!

Diard abandoned his projects, closed his house to the world, and lived in his home. But here he found another reef. The poor soldier had one of those eccentric souls which need perpetual motion. Diard was one of the men who are instinctively compelled to start again the moment they

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Pons by Honore de Balzac:

creature fails, love can turn to the Creator who has treasures to bestow. But the stomach! . . . Nothing can be compared to its sufferings; for, in the first place, one must live.

Pons thought wistfully of certain creams--surely the poetry of cookery!--of certain white sauces, masterpieces of the art; of truffled chickens, fit to melt your heart; and above these, and more than all these, of the famous Rhine carp, only known at Paris, served with what condiments! There were days when Pons, thinking upon Count Popinot's cook, would sigh aloud, "Ah, Sophie!" Any passer-by hearing the exclamation might have thought that the old man referred to a lost mistress; but his fancy dwelt upon something rarer, on a fat Rhine