The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierrette by Honore de Balzac: life in her cousin's house, the child, whom the three guests had not
seen during the evening, came into the room to kiss her relatives and
say good-night to the company. Sylvie turned her cheek coldly to the
pretty creature, as if to avoid kissing her. The motion was so cruelly
significant that the tears sprang to Pierrette's eyes.
"Did you prick yourself, little girl?" said the atrocious Vinet.
"What is the matter?" asked Sylvie, severely.
"Nothing," said the poor child, going up to Rogron.
"Nothing?" said Sylvie, "that's nonsense; nobody cries for nothing."
"What is it, my little darling?" said Madame Vinet.
"My rich cousin isn't as kind to me as my poor grandmother was,"
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson: and the mind has long enjoyed the contemplation of its own
prospects.
"It is scarcely possible that two travelling through the world
under the conduct of chance should have been both directed to the
same path, and it will not often happen that either will quit the
track which custom has made pleasing. When the desultory levity of
youth has settled into regularity, it is soon succeeded by pride
ashamed to yield, or obstinacy delighting to contend. And even
though mutual esteem produces mutual desire to please, time itself,
as it modifies unchangeably the external mien, determines likewise
the direction of the passions, and gives an inflexible rigidity to
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