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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Noble Kinsmen by William Shakespeare:

Was each eleven.

HIPPOLITA.

Twas Flaui(n)a.

EMILIA.

Yes. You talke of Pirithous and Theseus love; Theirs has more ground, is more maturely seasond, More buckled with strong Iudgement and their needes The one of th'other may be said to water [2. Hearses ready with Palamon: and Arcite: the 3. Queenes. Theseus: and his Lordes ready.]

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

is.

I had no idea, - said the Professor, - until I pulled up my domestic establishment the other day, what an enormous quantity of roots I had been making during the years I was planted there. Why, there wasn't a nook or a corner that some fibre had not worked its way into; and when I gave the last wrench, each of them seemed to shriek like a mandrake, as it broke its hold and came away.

There is nothing that happens, you know, which must not inevitably, and which does not actually, photograph itself in every conceivable aspect and in all dimensions. The infinite galleries of the Past await but one brief process and all their pictures will be called


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

fresh-fallen snow there lay the ice of the night before. He walked carefully, watching for the slippery places.

He had been walking about half an hour, perhaps, when he came to a cross street. Here he noticed the tracks of a wagon, the trace still quite fresh, as the slowly falling flakes did not yet cover it. The tracks led out towards the north, out on to the hilly, open fields.

Amster was somewhat astonished. It was very seldom that a carriage came into this neighbourhood, and yet these narrow wheel-tracks could have been made only by an equipage of that character. The heavy trucks which passed these roads occasionally had much wider

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Intentions by Oscar Wilde:

mischievous. One night at C-'s, the above dramatic partners were the temporary subject of chat. Mr. X. commended the passion and haughty style of a tragedy (I don't know which of them), but was instantly taken up by Elia, who told him 'THAT was nothing; the lyrics were the high things - the lyrics!'

One side of his literary career deserves especial notice. Modern journalism may be said to owe almost as much to him as to any man of the early part of this century. He was the pioneer of Asiatic prose, and delighted in pictorial epithets and pompous exaggerations. To have a style so gorgeous that it conceals the subject is one of the highest achievements of an important and much