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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Apology by Plato:

Plato.

There is not much in the other Dialogues which can be compared with the Apology. The same recollection of his master may have been present to the mind of Plato when depicting the sufferings of the Just in the Republic. The Crito may also be regarded as a sort of appendage to the Apology, in which Socrates, who has defied the judges, is nevertheless represented as scrupulously obedient to the laws. The idealization of the sufferer is carried still further in the Gorgias, in which the thesis is maintained, that 'to suffer is better than to do evil;' and the art of rhetoric is described as only useful for the purpose of self-accusation. The parallelisms which occur in the so-called Apology of Xenophon are not worth

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

we can hope to arrive at truth, and fulfill the great responsibility which we hold to God and our country. Should I keep back my opinions at such a time, through fear of giving offense, I should consider myself as guilty of treason towards my country, and of an act of disloyalty toward the Majesty of Heaven, which I revere above all earthly kings.

Mr. President, it is natural to man to indulge in the illusions of hope. We are apt to shut our eyes against a painful truth, and listen to the song of that siren till she transforms us into beasts. Is this the part of wise men, engaged in a great and arduous struggle for liberty? Are we disposed to be of the number of those who, having eyes, see not, and, having ears, hear not, the things which so nearly concern their

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

tissue would render perfect reanimation impossible. Indeed, the greatest problem was to get them fresh enough -- West had had horrible experiences during his secret college researches with corpses of doubtful vintage. The results of partial or imperfect animation were much more hideous than were the total failures, and we both held fearsome recollections of such things. Ever since our first daemoniac session in the deserted farmhouse on Meadow Hill in Arkham, we had felt a brooding menace; and West, though a calm, blond, blue-eyed scientific automaton in most respects, often confessed to a shuddering sensation of stealthy pursuit. He half felt that he was followed -- a psychological delusion


Herbert West: Reanimator
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

nature-adjustment. It meant instead of unity a myriad conflicting centres; it meant alienation from the spirit of the tribe, the separation of man from man, discord, recrimination, and the fatal unfolding of the sense of sin. The process symbolized itself in the legend of the Fall. Man ate of the Tree of the knowledge of good and evil. Sometimes people wonder why knowledge of any kind --and especially the knowledge of good and evil--should have brought a curse. But the reason is obvious. Into, the placid and harmonious life of the animal and human tribes fulfilling their days in obedience to the slow evolutions


Pagan and Christian Creeds