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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

'Deaths?' from Attwater.

'Two,' said Herrick.

'Well, it is a dreadful sickness,' said Attwater.

"Ad you any deaths?' asked Huish, ''ere on the island?'

'Twenty-nine,' said Attwater. 'Twenty-nine deaths and thirty-one cases, out of thirty-three souls upon the island.--That's a strange way to calculate, Mr Hay, is it not? Souls! I never say it but it startles me.'

'Oh, so that's why everything's deserted?' said Huish.

'That is why, Mr Whish,' said Attwater; 'that is why the house is empty and the graveyard full.'

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Vendetta by Honore de Balzac:

every sensible man--after making a final remonstrance to his child-- and before she proceeds to the respectful summons--to leave her at liberty to--"

Monsieur Roguin stopped, perceiving that he might talk on for two hours without obtaining any answer; he felt, moreover, a singular emotion at the aspect of the man he was attempting to convert. An extraordinary revolution had taken place on Piombo's face; his wrinkles, contracting into narrow lines, gave him a look of indescribable cruelty, and he cast upon the notary the glance of a tiger. The baroness was mute and passive. Ginevra, calm and resolute, waited silently; she knew that the notary's voice was more potent than

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft:

not wise to give any information respecting him- self, and for fear that Mr. Cray might draw him into conversation and recognise his voice, my master resolved to feign deafness as the only means of self-defence.

After a little while, Mr. Cray said to my master, "It is a very fine morning, sir." The latter took no notice, but kept looking out of the window. Mr. Cray soon repeated this remark, in a little louder tone, but my master remained as before. This indifference attracted the attention of the


Running a Thousand Miles for Freedom
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

with an influence of which one was more absolutely conscious. There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstance, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.

The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. In the seventh chapter he tells how,


The Picture of Dorian Gray