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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Origin of Species by Charles Darwin:

to the following considerations.

Although each formation may mark a very long lapse of years, each perhaps is short compared with the period requisite to change one species into another. I am aware that two palaeontologists, whose opinions are worthy of much deference, namely Bronn and Woodward, have concluded that the average duration of each formation is twice or thrice as long as the average duration of specific forms. But insuperable difficulties, as it seems to me, prevent us coming to any just conclusion on this head. When we see a species first appearing in the middle of any formation, it would be rash in the extreme to infer that it had not elsewhere previously existed. So again when we find a species disappearing before the uppermost


On the Origin of Species
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister:

the stage.

It was a cool, fine air. Gazing over the huge plain down in which lies Fort Washakie, Lin heard the faint notes of the trumpet on the parade ground, and took a good-bye look at all things. He watched the American flag grow small, saw the circle of steam rising away down by the hot springs, looked at the bad lands beyond, chemically pink and rose amid the vast, natural, quiet-colored plain. Across the spreading distance Indians trotted at wide spaces, generally two large bucks on one small pony, or a squaw and pappoose--a bundle of parti-colored rags. Presiding over the whole rose the mountains to the west, serene, lifting into the clearest light. Then once again came the now tiny music of the trumpet.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Muse of the Department by Honore de Balzac:

indescribable propriety, the lie that society insists on, and which to Dinah was an unendurable yoke. Why did she long to throw off the mask she had worn for twelve years? Whence this weariness which, every day, increased her hope of finding herself a widow?

The reader who has noted all the phases of her existence will have understood the various illusions by which Dinah, like many another woman, had been deceived. After an attempt to master Monsieur de la Baudraye, she had indulged the hope of becoming a mother. Between those miserable disputes over household matters and the melancholy conviction as to her fate, quite a long time had elapsed. Then, when she had looked for consolation, the consoler, Monsieur de Chargeboeuf


The Muse of the Department
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

took up three or four bills of exchange, and looked at them without seeing them.

Suddenly Joseph Lebas stood before him.

"Sit down there," said Guillaume, pointing to the stool.

As the old master draper had never yet bid his assistant be seated in his presence, Joseph Lebas was startled.

"What do you think of these notes?" asked Guillaume.

"They will never be paid."

"Why?"

"Well, I heard the day before yesterday Etienne and Co. had made their payments in gold."