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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

dropping down on her knees among a riot of garments--down on her knees, with one arm round Peter's neck, drawing his tired head lower until she could kiss him.

"Oh, Peter, Peter, dear!" she cried. "I'll love you all my life if only you'll love me, and never, never let me go!"

Peter was dazed at first. He put his arms about her rather unsteadily, because he had given her up and had expected to go through the rest of life empty of arm and heart. And when one has one's arms set, as one may say, for loneliness and relinquishment it is rather difficult--Ah, but Peter got the way of it swiftly.

"Always," he said incoherently; "forever the two of us. Whatever

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Cavalry General by Xenophon:

is to form your files[5] into ranks one behind the other, and wheel them round so as to leave intervals between each file; the troopers nearest the enemy in each file will keep their lances erect, and the rest low enough not to show above.

[3] Cf. Polyaen. II. i. 17, of Agesilaus in Macedonia, 394 B.C. (our author was probably present); IV. iv. 3, of Antipater in Thessaly, 323 B.C.

[4] Lit. "steal your troopers." See "Cyrop." V. iv. 48.

[5] Lit. "form your decads (squads of ten; cf. our 'fours') in ranks and deploy with intervals."

To come to the next topic: you may work on the enemy's fears by the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Seraphita by Honore de Balzac:

he is able to explain, while the Angelic Spirit sees and comprehends. Science depresses man; Love exalts the Angel. Science is still seeking, Love has found. Man judges Nature according to his own relations to her; the Angelic Spirit judges it in its relation to Heaven. In short, all things have a voice for the Spirit. Spirits are in the secret of the harmony of all creations with each other; they comprehend the spirit of sound, the spirit of color, the spirit of vegetable life; they can question the mineral, and the mineral makes answer to their thoughts. What to them are sciences and the treasures of the earth when they grasp all things by the eye at all moments, when the worlds which absorb the minds of so many men are to them but

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Desert Gold by Zane Grey:

His dark face, his dark eyes were plain in the light of the stars. Always he was near Gale, unobtrusive, shadowy, but there. Why? Gale absolutely could not doubt that the Indian had heart as well as mind. Yaqui had from the very first stood between Gale and accident, toil, peril. It was his own choosing. Gale could not change him or thwart him. He understood the Indian's idea of obligation and sacred duty. But there was more, and that baffled Gale. In the night hours, alone on the slope, Gale felt in Yaqui, as he felt the mighty throb of that desert pulse, a something that drew him irresistibly to the Indian. Sometimes he looked around to find the Indian, to dispel these strange, pressing thoughts

Desert Gold