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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Coxon Fund by Henry James:

had set in between Mr. Gravener and her sweet young friend--a state of things but half satisfactory to her so long as the advantage resulting to Mr. Saltram failed to disengage itself from the merely nebulous state. She intimated that her sweet young friend was, if anything, a trifle too reserved; she also intimated that there might now be an opening for another clever young man. There never was the slightest opening, I may here parenthesise, and of course the question can't come up to-day. These are old frustrations now. Ruth Anvoy hasn't married, I hear, and neither have I. During the month, toward the end, I wrote to George Gravener to ask if, on a special errand, I might come to see him, and his answer was to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Romeo and Juliet by William Shakespeare:

By any other word would smell as sweete, So Romeo would, were he not Romeo cal'd, Retaine that deare perfection which he owes, Without that title Romeo, doffe thy name, And for thy name which is no part of thee, Take all my selfe

Rom. I take thee at thy word: Call me but Loue, and Ile be new baptiz'd, Hence foorth I neuer will be Romeo

Iuli. What man art thou, that thus bescreen'd in night So stumblest on my counsell?

Romeo and Juliet
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twilight Land by Howard Pyle:

hand. "Are you ready?" he asked.

"We are ready, and waiting," answered the three. Thereupon, without another word, the graybeard fetched each of the dancers a blow upon the head with might and main--One! two! three! crack! crash! jingle!

Lo and behold! Instead of the three dancing men, there lay three great heaps of gold upon the floor, and the spendthrift stood staring like an owl. "There," said the old man, "take what you want, and then go your way, and trouble me no more."

"Well," said the spendthrift, "of all the wonders that ever I saw, this is the most wonderful! But how am I to carry my gold

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

had been wondering how he should put in the rest of the afternoon. It was absurd, how he missed the girl. . . . Yes, that was it; the desire to talk about her was, after all, at the bottom of his impulse to call on Mrs. Vervain! It was absurd, if you like--but it was delightfully rejuvenating. He could recall the time when he had been afraid of being obvious: now he felt that this return to the primitive emotions might be as restorative as a holiday in the Canadian woods. And it was precisely by the girl's candor, her directness, her lack of complications, that he was taken. The sense that she might say something rash at any moment was positively exhilarating: if she