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Today's Stichomancy for Bill O'Reilly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Unconscious Comedians by Honore de Balzac:

almost broke the arm which Bixiou had linked in his.

"You shall see the man," said Leon. "You need a hat and you shall have one gratis."

"Is Monsieur Vital absent?" asked Bixiou, seeing no one behind the desk.

"Monsieur is correcting proof in his study," replied the head clerk.

"Hein! what style!" said Leon to his cousin; then he added, addressing the clerk: "Could we speak to him without injury to his inspiration?"

"Let those gentlemen enter," said a voice.

It was a bourgeois voice, the voice of one eligible to the Chamber, a powerful voice, a wealthy voice.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underground City by Jules Verne:

foiled in his purpose of revenge, cast himself headlong into the waters of the lake.

"Save him! oh, save him!" shrieked Nell in a voice of agony. Immediately Harry plunged into the water, and, swimming towards Jack Ryan, he dived repeatedly.

But his efforts were useless. The waters of Loch Malcolm yielded not their prey: they closed forever over Silfax.

CHAPTER XIX THE LEGEND OF OLD SILFAX

Six months after these events, the marriage, so strangely interrupted, was finally celebrated in St. Giles's chapel, and the young couple, who still wore mourning garments, returned to the cottage.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Recruit by Honore de Balzac:

de Dey inspired so genuine and deep an interest, that the persons who called upon her that evening expressed extreme anxiety on being told that she was unable to receive them. Then, with that frank curiosity which appears in provincial manners, they inquired what misfortune, grief, or illness afflicted her. In reply to these questions, an old housekeeper named Brigitte informed them that her mistress had shut herself up in her room and would see no one, not even the servants of the house. The semi-cloistral existence of the inhabitants of a little town creates so invincible a habit of analyzing and explaining the actions of their neighbors, that after compassionating Madame de Dey (without knowing whether she were happy or unhappy), they proceeded to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Research Magnificent by H. G. Wells:

mutual exaltation very gladly, but always now other things possessed her mind. . . .

There was still an immense pleasure for him in her vigour; there was something delightful in her pounce, even when she was pouncing on things superficial, vulgar or destructive. She made him understand and share the excitement of a big night at the opera, the glitter and prettiness of a smart restaurant, the clustering little acute adventures of a great reception of gay people, just as she had already made him understand and sympathize with dogs. She picked up the art world where he had laid it down, and she forced him to feel dense and slow before he rebelled against her multitudinous