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Today's Stichomancy for George W. Bush

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ballads by Robert Louis Stevenson:

impossibly anachronistic.

Note 11, "HIOPA THE KING." Hiopa was really the name of the king (chief) of Vaiau; but I could never learn that of the king of Paea - pronounce to rhyme with the Indian AYAH - and I gave the name where it was most needed. This note must appear otiose indeed to readers who have never heard of either of these two gentlemen; and perhaps there is only one person in the world capable at once of reading my verses and spying the inaccuracy. For him, for Mr. Tati Salmon, hereditary high chief of the Tevas, the note is solely written: a small attention from a clansman to his chief.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

"If you are the hotel detective," he said, "take us without delay to Mr. Graham Guthrie."

A marked change took place in the other's demeanor on glancing at the card in his hand.

"Excuse me, sir," he said deferentially, "but, of course, I didn't know who I was speaking to. We all have instructions to give you every assistance."

"Is Mr. Guthrie in his room?"

"He's been in his room for some time, sir. You will want to get there without being seen? This way. We can join the lift on the third floor."

Off we went again, with our new guide. In the lift:

The Insidious Dr. Fu-Manchu
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool in the Desert by Sara Jeanette Duncan:

his argument. 'Behold the memsahib has ordered but one tonga, and a fool-thing of an ekka. Here is work for six tongas! What reason is there in this?'

The coolie folded his naked arms, and dug in the dust with an unconcerned toe.

'I, what can I do?' he said, 'It is the order of the memsahib.'

Ram Singh grunted and said no more. A rickshaw was coming down from the Mall, and the memsahib was in it.

Ten minutes later the ponies stood in their traces under the iron bar, and the lady sat in the tonga behind Ram Singh. Her runners, in uniform, waited beside the empty rickshaw with a puzzled look, at

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scaramouche by Rafael Sabatini:

way through the servants to the Hotel Plougastel, of that terrible fight for the palace which was to end in the purposeless massacre of all those whom the invertebrate monarch abandoned there, whilst placing himself and his family under the protection of the Assembly. Purposeless to the end, ever adopting the course pointed out to him by evil counsellors, he prepared for resistance only until the need for resistance really arose, whereupon he ordered a surrender which left those who had stood by him to the last at the mercy of a frenzied mob.

And while this was happening in the Tuileries, the two women at the Hotel Plougastel still waited for the return of Rougane, though now