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Today's Stichomancy for Jet Li

The first excerpt represents the past or something you must release, and is drawn from All's Well That Ends Well by William Shakespeare:

To come into his presence.

GENTLEMAN. The king's not here.

HELENA. Not here, sir?

GENTLEMAN. Not indeed. He hence remov'd last night, and with more haste Than is his use.

WIDOW. Lord, how we lose our pains!

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The War in the Air by H. G. Wells:

business they stopped. There wasn't any business doin', Teddy, there wasn't any money about, and nothin' to buy if you 'ad it."

"But 'ow did the people get KILLED?" said the little boy in the pause.

"I'm tellin' you, Teddy," said the old man. "It was the stoppin' of business come next. Suddenly there didn't seem to be any money. There was cheques--they was a bit of paper written on, and they was jes' as good as money--jes' as good if they come from customers you knew. Then all of a sudden they wasn't. I was left with three of 'em and two I'd given' change. Then it got about that five-pun' notes were no good, and then the silver sort

The third excerpt represents the future or something you must embrace, and is drawn from Ferragus by Honore de Balzac:

rules and regulations of the upper and lower police to obtain permission to weep at night, in silence and solitude, over the grave where a loved one lies. There's a rule for summer and a rule for winter about this.

Certainly, of all the porters in Paris, the porter of Pere-Lachaise is the luckiest. In the first place, he has no gate-cord to pull; then, instead of a lodge, he has a house,--an establishment which is not quite ministerial, although a vast number of persons come under his administration, and a good many employees. And this governor of the dead has a salary, with emoluments, and acts under powers of which none complain; he plays despot at his ease. His lodge is not a place