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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lin McLean by Owen Wister:

wasted outlay.' I suppose they run this station from charity to the cattle. Saves the poor things walking so far to the other railroad 'Policy of friendship ... genuine desire'--oh mouth-wash!" And, shaking his bold, clever head, he daintily flattened the letter upon the head of the agent. "Tubercle," said he (this was their name for the agent, who had told all of us about his lungs), "it ain't your fault we saw their fine letter. They just intended you should give it out how they wouldn't bother us any more, and then we'd act square. The boys'll sit up late over this joke."

Then they tramped to their horses and rode away. The spokesman had hit the vital point unerringly; for cow-punchers are shrewdly alive to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Koran:

earth, God would bring it (to light). Verily, God is subtle, well aware!

'O my son! be steadfast in prayer, and bid what is reasonable and forbid what is wrong; be patient of what befalls thee, verily, that is one of the determined affairs.

'And twist not thy cheek proudly, nor walk in the land haughtily; verily, God loves not every arrogant boaster: but be moderate in thy walk, and lower thy voice; verily, the most disagreeable of voices is the voice of asses!'

Have ye not seen that God has subjected to you what is in the heavens and what is in the earth, and has poured down upon you His


The Koran
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from My Antonia by Willa Cather:

the veteran actress who first acquainted me with her. Her conception of the character was as heavy and uncompromising as her diction; she bore hard on the idea and on the consonants. At all times she was highly tragic, devoured by remorse. Lightness of stress or behaviour was far from her. Her voice was heavy and deep: `Ar-r-r-mond!' she would begin, as if she were summoning him to the bar of Judgment. But the lines were enough. She had only to utter them. They created the character in spite of her.

The heartless world which Marguerite re-entered with Varville had never been so glittering and reckless as on the night


My Antonia
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Duchesse de Langeais by Honore de Balzac:

distance from the coast of Andalusia.

If the rumour of the Emperor's name so much as reached the shore of the island, it is doubtful whether the holy women kneeling in the cloisters grasped the reality of his dream-like progress of glory, or the majesty that blazed in flame across kingdom after kingdom during his meteor life.

In the minds of the Roman Catholic world, the convent stood out pre-eminent for a stern discipline which nothing had changed; the purity of its rule had attracted unhappy women from the furthest parts of Europe, women deprived of all human ties, sighing after the long suicide accomplished in the breast of God. No convent,