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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe:

it was ominous and threatening.

While I was in this disguise, I fell in with a parcel of folks of a worse kind than any I ever sorted with, and I saw a little into their ways too. These were coiners of money, and they made some very good offers to me, as to profit; but the part they would have had me have embarked in was the most dangerous part. I mean that of the very working the die, as they call it, which, had I been taken, had been certain death, and that at a stake--I say, to be burnt to death at a stake; so that though I was to appearance but a beggar, and they promised mountains of gold and silver to me to engage, yet it would not do. It is


Moll Flanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Resurrection by Leo Tolstoy:

side of the road, chatting merrily. There were a great many carts. In each of the first carts sat six invalid criminal convicts, close packed. On each of the last two were three political prisoners. Novodvoroff, Grabetz and Kondratieff sat on one, Rintzeva, Nabatoff and the woman to whom Mary Pavlovna had given up her own place on the other, and on one of the carts lay Kryltzoff on a heap of hay, with a pillow under his head, and Mary Pavlovna sat by him on the edge of the cart. Nekhludoff ordered his driver to stop, got out and went up to Kryltzoff. One of the tipsy soldiers waved his hand towards Nekhludoff, but he paid no attention and started walking by Kryltzoff's side,


Resurrection
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac:

first green shoots of the poplars, the catkins of willow, and the flowers of the blackthorn had inclined his heart to open like all the nature around him; or that any long restraint was too oppressive while Caroline's sparkling eyes responded to his own, the Gentleman in Black entered on a conversation with his young companion, as aimless as the swaying of the branches in the wind, as devious as the flitting of the butterflies in the azure air, as illogical as the melodious murmur of the fields, and, like it, full of mysterious love. At that season is not the rural country as tremulous as a bride that has donned her marriage robe; does it not invite the coldest soul to be happy? What heart could remain unthawed, and what lips could keep its secret, on

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aeneid by Virgil:

And enter now, the temple roof'd with gold. When Daedalus, to fly the Cretan shore, His heavy limbs on jointed pinions bore, (The first who sail'd in air,) 't is sung by Fame, To the Cumaean coast at length he came, And here alighting, built this costly frame. Inscrib'd to Phoebus, here he hung on high The steerage of his wings, that cut the sky: Then o'er the lofty gate his art emboss'd Androgeos' death, and off'rings to his ghost; Sev'n youths from Athens yearly sent, to meet


Aeneid