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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from From London to Land's End by Daniel Defoe:

still was that, a few days after, a merchant's ship called the Winchelsea, homeward bound from Virginia, not knowing the Eddystone lighthouse was down, for want of the light that should have been seen, run foul of the rock itself, and was lost with all her lading and most of her men. But there is now another light-house built on the same rock.

What other disasters happened at the same time in the Sound and in the roads about Plymouth is not my business; they are also published in other books, to which I refer.

One thing which I was a witness to on a former journey to this place, I cannot omit. It was the next year after that great storm,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Story of an African Farm by Olive Schreiner:

great drops fell. The stranger must have laughed at him, or remained silent. He did so.

"How did you know it?" the boy whispered at last. "It is not written there--not on that wood. How did you know it?"

"Certainly," said the stranger, "the whole of the story is not written here, but it is suggested. And the attribute of all true art, the highest and the lowest, is this--that it rays more than it says, and takes you away from itself. It is a little door that opens into an infinite hall where you may find what you please. Men, thinking to detract, say: 'People read more in this or that work of genius than was ever written in it,' not perceiving that they pay the highest compliment. If we pick up the finger

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

light-colored Havana stuff. A curtain of the same material depended from a copper rod and formed a sort of recess at the end of the room, while two large windows opened on the courtyard of the theater and were faced, at a distance of three yards at most, by a leprous- looking wall against which the panes cast squares of yellow light amid the surrounding darkness. A large dressing glass faced a white marble toilet table, which was garnished with a disorderly array of flasks and glass boxes containing oils, essences and powders. The count went up to the dressing glass and discovered that he was looking very flushed and had small drops of perspiration on his forehead. He dropped his eyes and came and took up a position in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

fashion in London,--there was something touching in the sight of her in that humble little abode in the rue de Miromesnil, a few steps away from her splendid mansion, which no amount of fortune had enabled her to keep, and which the hammer of speculators has since demolished. The woman who thought she was scarcely well served by thirty servants, who possessed the most beautiful reception-rooms in all Paris, and the loveliest little private apartments, and who made them the scene of such delightful fetes, now lived in a small apartment of five rooms,-- an antechamber, dining-room, salon, one bed-chamber, and a dressing- room, with two women-servants only.

"Ah! she is devoted to her son," said that clever creature, Madame