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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Bickerstaff-Partridge Papers by Jonathan Swift:

mistakes of that kind; if there had, I presume he would have told me of them with as little ceremony.

There is one objection against Mr. Partridge's death, which I have sometimes met with, though indeed very slightly offered, That he still continues to write almanacks. But this is no more than what is common to all that profession; Gadbury, Poor Robin, Dove, Wing, and several others, do yearly publish their almanacks, though several of them have been dead since before the Revolution. Now the natural reason of this I take to be, that whereas it is the privilege of other authors to live after their deaths; almanack-makers are alone excluded, because their

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Animal Farm by George Orwell:

in. A pile of straw in a stall is a bed, properly regarded. The rule was against sheets, which are a human invention. We have removed the sheets from the farmhouse beds, and sleep between blankets. And very comfortable beds they are too! But not more comfortable than we need, I can tell you, comrades, with all the brainwork we have to do nowadays. You would not rob us of our repose, would you, comrades? You would not have us too tired to carry out our duties? Surely none of you wishes to see Jones back?"

The animals reassured him on this point immediately, and no more was said about the pigs sleeping in the farmhouse beds. And when, some days afterwards, it was announced that from now on the pigs would get up an hour later in the mornings than the other animals, no complaint was made


Animal Farm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

You may find also a quaint little shrimp, CAPRELLA, clinging by its hind claws to sea-weed, and waving its gaunt grotesque body to and fro, while it makes mesmeric passes with its large fore claws, - one of the most ridiculous of Nature's many ridiculous forms. Those which you will find will be some quarter of an inch in length; but in the cold area of the North Atlantic, their cousins, it is now found, are nearly three inches long, and perch in like manner, not on sea-weeds, for there are none so deep, but on branching sponges.

These are but two instances out of many of forms which were supposed to be peculiar to shallow shores repeating themselves at

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

well acquainted with the road, and with the retired place where she had left the unhappy and disconsolate damsel who had been deprived of her inheritance. But when she heard news of the arrival of the maiden and of the Knight with the Lion. There never was such joy as she felt within her heart. For now she thinks that, if she insists, her sister will cede her a part of her inheritance. The damsel had long lain sick, and had just recovered from her malady. It had seriously affected her, as was apparent from her face. Straightway she went forth to meet them, greeting them and honouring them in every way she could. There is no need to speak of the happiness that prevailed that night in