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Today's Stichomancy for Kim Kardashian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gobseck by Honore de Balzac:

thorny bit of business, an expropriation, and he continued to ask for my advice with as much freedom as if he paid for it.

"My principal was a man of pleasure and expensive tastes; before the second year (1818-1819) was out he had got himself into difficulties, and was obliged to sell his practice. A professional connection in those days did not fetch the present exorbitant prices, and my principal asked a hundred and fifty thousand francs. Now an active man, of competent knowledge and intelligence, might hope to pay off the capital in ten years, paying interest and living respectably in the meantime--if he could command confidence. But I as the seventh child of a small tradesman at Noyon, I had not a sou to my name, nor


Gobseck
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

hunted through the great rooms for cigarettes. We pushed aside curtains that were like pavilions, and felt over innumerable feet of dark wall for electric light switches--once I tumbled with a sort of splash upon the keys of a ghostly piano. There was an inexplicable amount of dust everywhere, and the rooms were musty, as though they hadn't been aired for many days. I found the humidor on an unfamiliar table, with two stale, dry cigarettes inside. Throwing open the French windows of the drawing-room, we sat smoking out into the darkness.

"You ought to go away," I said. "It's pretty certain they'll trace your car."

"Go away NOW, old sport?"


The Great Gatsby
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Garden Party by Katherine Mansfield:

thread-like trees, velvet anemones, and orange berry-spotted weeds. Now a stone on the bottom moved, rocked, and there was a glimpse of a black feeler; now a thread-like creature wavered by and was lost. Something was happening to the pink, waving trees; they were changing to a cold moonlight blue. And now there sounded the faintest "plop." Who made that sound? What was going on down there? And how strong, how damp the seaweed smelt in the hot sun...

The green blinds were drawn in the bungalows of the summer colony. Over the verandas, prone on the paddock, flung over the fences, there were exhausted-looking bathing-dresses and rough striped towels. Each back window seemed to have a pair of sand-shoes on the sill and some lumps of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

night vigil; but there was much that she did not see. She did not see the black face beneath the white hood, nor the file of ebon horsemen beyond the trail's bend riding slowly in the wake of their leader. These things she did not see at first, and so she leaned downward toward the approaching rider, a cry of welcome forming in her throat.

At the first word the man looked up, reining in in surprise, and as she saw the black face of Abdul Mourak, the Abyssinian, she shrank back in terror among the branches; but it was too late. The man had seen


Tarzan and the Jewels of Opar