Today's Stichomancy for Kim Kardashian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rig Veda:

and heroic spirit- She climbed her servant's chariot, she like Surya with cloud-like motion and refulgent aspect.

6 Upon their car the young men set the Maiden wedded to glory, mighty in assemblies, When your song, Maruts, rose, and, with oblation, the Soma-pourer sang his hymn in worship.

7 I will declare the greatness of these Maruts, their real

The Rig Veda

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Innocence and Experience by William Blake:

That does freeze my bones around! Selfish, vain, Eternal bane, That free love with bondage bound.'

THE CLOD AND THE PEBBLE

'Love seeketh not itself to please, Nor for itself hath any care, But for another gives its ease, And builds a heaven in hell's despair.'

So sung a little clod of clay, Trodden with the cattle's feet,

Songs of Innocence and Experience

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Father Damien by Robert Louis Stevenson:

battle cannot be retrieved as your unhappy irritation has suggested. It is a lost battle, and lost for ever. One thing remained to you in your defeat - some rags of common honour; and these you have made haste to cast away.

Common honour; not the honour of having done anything right, but the honour of not having done aught conspicuously foul; the honour of the inert: that was what remained to you. We are not all expected to be Damiens; a man may conceive his duty more narrowly, he may love his comforts better; and none will cast a stone at him for that. But will a gentleman of your reverend profession allow me an example from the fields of gallantry? When two gentlemen

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Monster Men by Edgar Rice Burroughs:

The girl became aware also of other subtle changes in her father. He had long since ceased to be the jovial, carefree companion who had shared with her her every girlish joy and sorrow and in whom she had confided both the trivial and momentous secrets of her childhood. He had become not exactly morose, but rather moody and absorbed, so that she had of late never found an opportunity for the cozy chats that had formerly meant so much to them both. There had been too, recently, a strange lack of consideration for herself that had wounded her more than she had

The Monster Men