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Today's Stichomancy for Kylie Minogue

The first excerpt represents the past or something you must release, and is drawn from The Land of Footprints by Stewart Edward White:

brush growing singly and in small clumps: then a little open prairie; then a narrow, long grass swale; then perhaps a low, long hill with small single trees and rough, volcanic footing. Ten thousand things kept us interested. Game was everywhere, feeding singly, in groups, in herds, game of all sizes and descriptions. The rounded ears of jackals pointed at us from the grass. Hundreds of birds balanced or fluttered about us, birds of all sizes from the big ground hornbill to the littlest hummers and sun birds. Overhead, across the wonderful variegated sky of Africa the broad-winged carrion hunters and birds of prey wheeled. In all our stay on the Isiola we had not seen a single

The second excerpt represents the present or the deciding factor of the moment, and is drawn from War and Peace by Leo Tolstoy:

victory or defeat, the glory of our Russian arms is secure. Except your Kutuzov, there is not a single Russian in command of a column! The commanders are: Herr General Wimpfen, le Comte de Langeron, le Prince de Lichtenstein, le Prince, de Hohenlohe, and finally Prishprish, and so on like all those Polish names."

"Be quiet, backbiter!" said Dolgorukov. "It is not true; there are now two Russians, Miloradovich, and Dokhturov, and there would be a third, Count Arakcheev, if his nerves were not too weak."

"However, I think General Kutuzov has come out," said Prince Andrew. "I wish you good luck and success, gentlemen!" he added and went out after shaking hands with Dolgorukov and Bilibin.


War and Peace
The third excerpt represents the future or something you must embrace, and is drawn from Letters of Two Brides by Honore de Balzac:

thoughts beset me as I walked, now seeming to take visible form in tongues of fire before my eyes, now assailing my mind, each with its own poisoned dart. When the groom and the horses were far away, I stopped Gaston, and, looking him in the face, said, as I pointed, with a gesture that you should have seen, to the fatal letter still in his right hand:

"May I read it?"

He gave it to me. I opened it and found a letter from Nathan, the dramatic author, informing Gaston that a play of his had been accepted, learned, rehearsed, and would be produced the following Saturday. He also enclosed a box ticket.