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Today's Stichomancy for Lenny Kravitz

The first excerpt represents the past or something you must release, and is drawn from The Rescue by Joseph Conrad:

"I intended to join you in your captivity. I was just trying to persuade him. . . ."

"I forbid you absolutely," whispered Mr. Travers, forcibly. "I am glad to get away. I don't want to see you again till your craze is over."

She was confounded by his secret vehemence. But instantly succeeding his fierce whisper came a short, inane society laugh and a much louder, "Not that I attach any importance . . ."

He sprang away, as it were, from his wife, and as he went over the gangway waved his hand to her amiably.

Lighted dimly by the lantern on the roof of the deckhouse Mrs.

The Rescue
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

an indescribable whiff of it in your inner senses, by the half-eager, furtive glances that the small crowd cast at La Juanita.

"Gar, gar, le bateau!" said one dark-tressed mother to the wide-eyed baby. "Et, oui," she added, in an undertone to her companion. "Voila, La Juanita!"

La Juanita, you must know, was the pride of Mandeville, the adored, the admired of all, with her petite, half-Spanish, half-French beauty. Whether rocking in the shade of the Cherokee-rose-covered gallery of Grandpere Colomes' big house, her fair face bonnet-shaded, her dainty hands gloved to keep the

The Goodness of St. Rocque and Other Stories
The third excerpt represents the future or something you must embrace, and is drawn from Fanny Herself by Edna Ferber:

upstart. He's so much older, too. I--I hate to hurt him. I wish you'd--"

But Fenger shook his head. "Slosson's due now. And he has got to take his medicine. This is business, Miss Brandeis. You ought to know what that means. For that matter, it may be that you haven't hit upon an idea. In that case, Slosson would have the laugh, wouldn't he?"

Slosson entered at that moment. And there was a chip on his shoulder. It was evident in the way he bristled, in the way he seated himself. His fingers drummed his knees. He was like a testy, hum-ha stage father dealing with a willful

Fanny Herself