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Today's Stichomancy for Ricky Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Susan by Jane Austen:

And this circumstance, while it explains the true motives of Lady Susan's conduct, and removes all the blame which has been so lavished on her, may also convince us how little the general report of anyone ought to be credited; since no character, however upright, can escape the malevolence of slander. If my sister, in the security of retirement, with as little opportunity as inclination to do evil, could not avoid censure, we must not rashly condemn those who, living in the world and surrounded with temptations, should be accused of errors which they are known to have the power of committing.

I blame myself severely for having so easily believed the slanderous tales invented by Charles Smith to the prejudice of Lady Susan, as I am now

Lady Susan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Allan Quatermain by H. Rider Haggard:

when she thinks of her black bead-bedecked sister; and so will the superfine cultured idler scientifically eating a dinner at his club, the cost of which would keep a starving family for a week. And yet, my dear young lady, what are those pretty things round your own neck? -- they have a strong family resemblance, especially when you wear that very low dress, to the savage woman's beads. Your habit of turning round and round to the sound of horns and tom-toms, your fondness for pigments and powders, the way in which you love to subjugate yourself to the rich warrior who has captured you in marriage, and the quickness with which your taste in feathered head-dresses varies -- all these things

Allan Quatermain
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Verses 1889-1896 by Rudyard Kipling:

In the silence of the herder's hut alone -- In the twilight, on a bucket upside down, Hear me babble what the weakest won't confess -- I am Memory and Torment -- I am Town! I am all that ever went with evening dress! With my "~Tunk-a tunka-tunka-tunka-tunk!~" [So the lights -- the London Lights -- grow near and plain!] So I rowel 'em afresh towards the Devil and the Flesh, Till I bring my broken rankers home again. In desire of many marvels over sea,

Verses 1889-1896
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crisis in Russia by Arthur Ransome:

wings at the side of the stage. On the stage were Rostopchin, Radek, Larin and various members of the Communist Party Committee in the district. Everything was ready, but the orchestra went on with its jig music on the other side of the curtain. A message was sent to them. The music stopped with a jerk. The curtain rose, disclosing a crowded auditorium. Everbody stood up, both on the stage and in the theater, and sang, accompanied by the orchestra, first the "Internationale" and then the song for those who had died for the revolution. Then except for two or three politically minded musicians , the orchestra vanished