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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dreams & Dust by Don Marquis:

Magician Thought, informed of Love, Hath fixed her on the air-- Oh, Love and I laughed down the fates And clasped her, here as there!

Across the eerie silences She came in headlong flight, She stormed the serried distances, She trampled space and night!

Oh, foolish scientists might give This miracle a name-- But Love and I care but to know

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

And a harbour as well where my vessels may ride.

Great is the palace with pillar and wall, A sort of a tower on the top of it all, And steps coming down in an orderly way To where my toy vessels lie safe in the bay.

This one is sailing and that one is moored: Hark to the song of the sailors aboard! And see, on the steps of my palace, the kings Coming and going with presents and things!

Yet as I saw it, I see it again, The kirk and the palace, the ships and the men,

A Child's Garden of Verses
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reign of King Edward the Third by William Shakespeare:

That she doth thaw cold winter like the sun, That she doth cheer fresh summer like the sun, The she doth dazzle gazers like the sun; And, in this application to the sun, Bid her be free and general as the sun, Who smiles upon the basest weed that grows As lovingly as on the fragrant rose. Let's see what follows that same moonlight line.

LODOWICK. 'More fair and chaste than is the queen of shades, More bold in constance'--

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

Above the bleat of sheep and trample of many hoofs rang out Mescal's cry, despairing.

She had turned, her hands over her breast. Wolf spread his legs before her and crouched to spring, mane erect, jaws wide.

By some lightning flash of memory, August Naab's words steadied Jack's shaken nerves. He aimed low and ahead of the running bear. Down the beast went in a sliding sprawl with a muffled roar of rage. Up he sprang, dangling a useless leg, yet leaping swiftly forward. One blow sent the attacking dog aside. Jack fired again. The bear became a wrestling, fiery demon, death-stricken, but full of savage fury. Jack aimed low and shot again.

The Heritage of the Desert