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Today's Stichomancy for The Rock

The first excerpt represents the past or something you must release, and is drawn from The Figure in the Carpet by Henry James:

man's attitude. What I saw, though I couldn't say it, was that his wife hadn't thought him worth enlightening. This struck me as strange for a woman who had thought him worth marrying. At last I explained it by the reflexion that she couldn't possibly have married him for his understanding. She had married him for something else.

He was to some extent enlightened now, but he was even more astonished, more disconcerted: he took a moment to compare my story with his quickened memories. The result of his meditation was his presently saying with a good deal of rather feeble form: "This is the first I hear of what you allude to. I think you must

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

"This devil of a man has an answer for everything! However, so much the better," thought Camusot, who assumed so much severity only to satisfy the demands of justice and of the police. "How is it that a man of your character," he went on, addressing the convict, "should have been found in the house of the Baron de Nucingen's mistress--and such a mistress, a girl who had been a common prostitute!"

"This is why I was found in a courtesan's house, monsieur," replied Jacques Collin. "But before telling you the reasons for my being there, I ought to mention that at the moment when I was just going upstairs I was seized with the first attack of my illness, and I had no time to speak to the girl. I knew of Mademoiselle Esther's

The third excerpt represents the future or something you must embrace, and is drawn from Fanny Herself by Edna Ferber:

and Saturday in October. Orchestra Hall audiences are not, as a rule, wildly demonstrative. They were no exception. They listened attentively, appreciatively. They talked, critically and favorably, on the way home. They applauded generously. They behaved as an Orchestra Hall audience always behaves, and would behave, even if it were confronted with a composite Elman-Kreisler-Ysaye soloist. Theodore's playing was, as a whole, perhaps the worst of his career. Not that he did not rise to magnificent heights at times. But it was what is known as uneven playing. He was torn emotionally, nervously, mentally. His playing showed it.


Fanny Herself