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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pellucidar by Edgar Rice Burroughs:

crossing I descried far in the distance great masses of billowing clouds.

Now clouds are practically unknown in the skies of Pellucidar. The moment that my eyes rested upon them my heart leaped. I seized Perry's arm and, point- ing toward the horizonless distance, shouted:

"The Mountains of the Clouds!"

"They lie close to Phutra, and the country of our worst enemies, the Mahars," Perry remonstrated.

"I know it," I replied, "but they give us a starting-point from which to prosecute our search intelligently. They


Pellucidar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Sentimental Journey by Laurence Sterne:

but I have no apprehensions, continued I; - for, in falling into the hands of the most polish'd people in the world, and being conscious I was a true man, and not come to spy the nakedness of the land, I scarce thought I lay at their mercy. - It does not suit the gallantry of the French, Monsieur le Count, said I, to show it against invalids.

An animated blush came into the Count de B-'s cheeks as I spoke this. - NE CRAIGNEZ RIEN - Don't fear, said he. - Indeed, I don't, replied I again. - Besides, continued I, a little sportingly, I have come laughing all the way from London to Paris, and I do not think Monsieur le Duc de Choiseul is such an enemy to mirth as to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Black Dwarf by Walter Scott:

clown in Hallowe'en, whistled up the warlike ditty of Jock of the Side, as a general causes his drums be beat to inspirit the doubtful courage of his soldiers.

In this state of mind, he was very glad to hear a friendly voice shout in his rear, and propose to him a partner on the road. He slackened his pace, and was quickly joined by a youth well known to him, a gentleman of some fortune in that remote country, and who had been abroad on the same errand with himself. Young Earnscliff, "of that ilk," had lately come of age, and succeeded to a moderate fortune, a good deal dilapidated, from the share his family had taken in the disturbances of the period. They

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mansion by Henry van Dyke:

the Nineteenth-Century-Brownstone epoch. It was a symbol of his social position, his religious doctrine, and even, in a way, of his business creed.

"A man of fixed principles," he would say, "should express them in the looks of his house. New York changes its domestic architecture too rapidly. It is like divorce. It is not dignified. I don't like it. Extravagance and fickleness are advertised in most of these new houses.