| The Hagall spread is a tool for revealing the path of spiritual growth in difficult situations. It is a favorite of mystics and those confronting a major life challenge. The Lovecraft Tarot is a tribute to the gothic writings of the visionary H.P. Lovecraft. It is the deck of choice for explorers of the macabre, and for posing questions that should never be asked. If you would like your own copy of the Lovecraft Tarot, you can buy it now! |
 | The card in the middle of the circle represents the core or central issue of the situation. Seven of Artifacts (EOD Vestments): An opportunity to withdraw from a hopeless situation and fight another day. Disengagement from a struggle you should never have been involved in. A desperate attempt to resolve a matter without conflict. The use of cleverness or outright deception to turn the tide in your favor. |
 | The card at the bottom of the circle represents something you did to bring the situation about. Shub Niggurath, when reversed: Stifling matriarchal influence. Unhappiness, selfishness, poverty and disruption of the home or family. Indecision, paranoia, and jealous rage. Sterility. |
 | The card at the bottom left of the circle represents your beliefs, impressions, or expectations. Two of Artifacts (The Colour Out of Space): Contradictory characteristics brought together as a means of resolving a conflict. Refusing to be ruled by negative emotions. Strife brought to a close through clarity of mind and restraint of force. Turning a blind eye to the minor infractions of others. |
 | The card at the bottom right of the circle represents the most likely outcome of the situation given present circumstances. Eight of Sites (Innsmouth): Dedicating yourself fully to a task. Learning a new craft or skill. Applying painstaking attention to detail. Industriousness and the efficient completion of tasks. Sticking with a project long enough to see it through. |
 | The card at the upper left of the circle represents the spiritual history of the situation the things you've learned. Ten of Tomes (The Eltdown Shards), when reversed: Refusing to take on burdens greater than you can carry. Noble leadership restrained from transforming into tyranny. Bearing the weight of ultimate responsibility without being crushed. Through careful conservation of their fuel, the engines of creation continue onward. |
 | The card at the top of the circle represents the spiritual tasks and challenges of the present situation. Yig the Serpent God, when reversed: Loneliness and uncertainty. Nostalgic memories. The warm passing glow of dusk. Peace without vigilance. |
 | The card at the upper right of the circle represents the metamorphosis of the spiritual situation, and how your knowledge will evolve. Tsathoggua: Being seduced by the material world and physical pleasures. Lust for and obsession with money and power. Living in fear, domination and bondage. Being caged by an overabundance of luxury. Discretion should be used in personal and business matters. |
 | The card at the left of the lower line represents the person or qualities that will sustain your spiritual journey. Four of Man (Charles Dexter Ward), when reversed: New and unusual relationships and opportunities. The reawakening of your appetite for life or love. The path of excess leading to spiritual rejuvenation and the appearance of novel ambitions. |
 | The card in the middle of the lower line represents the qualities that you express in this circumstance. Four of Artifacts (The Shining Trapezohedron), when reversed: Restlessness and mental disharmony. Deserting a struggle in progress. A temporary retreat from stress that turns into a permanent rout. A lack of vigilance that could lead to disaster. |
 | The card at the right of the lower line represents the person or qualities that will reveal spiritual knowledge. Eight of Tomes (Cultes des Gouls), when reversed: Too much force applied too suddenly. A flash in the pan. A foolhardy and untimely plunge into the unknown. Impatience leading to poor decisions in love, business, travel, or spiritual growth. |
